Andrew Marzoni is a writer, editor, educator, and musician who lives in Brooklyn, NY.
Profiles & Interviews
Not Another Rock ‘n’ Roll Poet Poetry
Gary Indiana Doesn’t Travel in Any Circles T: The New York Times Style Magazine
"I Just Attack Everything, I Just Love It All" ARTnews
The Wonder of Living Review 31
Reported Features
The Trolls of Academe The Baffler
Foucault in the Valley of Death The Baffler
I Saw Satan The Baffler
Rooting for the Home Team ARTnews
Editorials
Drowing Out the Noise The Nation
Academia Is a Cult The Washington Post
Critical Essays
Freelance Blues Liberties
Cheesecake in Barad-dûr New York Review of Architecture
California Gothic The Baffler
A Jerusalem of the Mind The Drift
Hate Reads Aeon
Please Clap Real Life
Commodity of Doom The Baffler
Here, My Dear The Believer
I’m So Sad, I’m So Fucked Up Stillpoint
Appetite for Reconstruction The Baffler
The Lamentation of Doctor Faustus The Baffler
One Machine Talking to Another Full Bleed
The Fairest Soul Brother in England The Baffler
Louche Life The Quarterly Conversation
Nazis, Con Men, Forgers, and Thieves ARTnews
Twitter and the Novel Review 31
When SoHo Met Hollywood ARTnews
Reviews
Noah Baumbach’s Jay Kelly Is a Cautionary Tale The New Republic
The Lost New York of J. Hoberman The Nation
A Novel of the Great Gen X Icon: The Misanthropic Retail Employee The Washington Post
The Brutalist Pairs Modern Architecture and Postwar Trauma The New Republic
The Romanticized Squalor of Queer The New Republic
Folie à Doom New York Review of Architecture
Only the Good Die Young New York Review of Architecture
Democracy on Ice New York Review of Architecture
Janet Planet Orbits a Troubled Mother-Daughter Relationship The New Republic
The Missing Love Story in Maestro The New Republic
Priscilla Confronts a Creepy Elvis The New Republic
The Indulgences of Rainer Werner Fassbinder The Nation
Triangle of Sadness Punishes the Beautiful and the Rich The New Republic
When Did Postmodernism End? The Nation
Outside the Text The Baffler
Slumming It Art in America
The Philosophical Leftovers of Gilles Deleuze The Nation
All I Have Are Negative Thoughts The Baffler
A Small but Important Job Los Angeles Review of Books
The Millennial Writer on Drugs 3:AM
Precarious Immortality ARTnews
Future Imperfect ARTnews
The Opposite of Hallelujah Review 31
Germany: A Science Fiction Rain Taxi Review of Books
The Spectre of Alexander Wolf Rain Taxi Review of Books
Political Cinema After Politics Review 31
Nightwork Music & Literature
Prewar Blues, Postwar Neuroses The New York Observer
The Skin Rain Taxi Review of Books
The Stray Bullet Rain Taxi Review of Books
The Boy With the Thorn in His Side The New York Observer
Sex and Politics in Sunnyside Gardens The New York Observer
A Crack-Up at the Race Riots Rain Taxi Review of Books
Cousins, Far Removed The New York Observer
Black and Blue Rain Taxi Review of Books
Scholarship
African Americans in Journalism Oxford African American Studies Center
Sympathy for the Dialectic Cinephile
Henry Miller and Deleuze's "Strange Anglo-American Literature" Understanding Deleuze, Understanding Modernism
"The Villany You Teach Me, I Will Execute" Locating Shakespeare in the Twenty-First Century
On Teaching
Why Not? TECHStyle
Meditations in an Emergency TECHStyle
Mapping Burroughs's Junky TECHStyle
Comments, Letters, and Blurbs
How Andrew Marzoni Makes Money Writing How I Make Money Writing
Last Meals Dirt
What Are the Best Men’s Sweaters? The Strategist
Humanum Est Errare Harper’s
Gas Station Orders Dirt
Comments New York Magazine
The Best Books of 2024 Vulture
Dirt’s 2024 Overrated List Dirt
Trundling On The Fine Print
Springing Forward The Fine Print
Breathe Easy ChaShaMa