The Films Released in 2012 Which I Have Seen, Ranked from Brilliant to Godawful

Added on by Andrew Marzoni.
  1. Django Unchained, dir. Quentin Tarantino
  2. The Master, dir. Paul Thomas Anderson
  3. Moonrise Kingdom, dir. Wes Anderson
  4. Amour, dir. Michael Haneke
  5. Lincoln, dir. Steven Spielberg
  6. The Comedy, dir. Rick Alverson
  7. Bernie, dir. Richard Linklater*
  8. The Queen of Versailles, dir. Lauren Greenfield
  9. The Hunger Games, dir. Gary Ross
  10. Tim and Eric’s Billion Dollar Movie, dir. Tim Heidecker and Eric Wareheim
  11. Cosmopolis, dir. David Cronenberg
  12. To Rome With Love, dir. Woody Allen

*Premiered in 2011

My 20 Favorite Records of 2012

Added on by Andrew Marzoni.

Ranked meticulously and pseudo-scientifically after much listening and re-listening over the course of the last week.

  1. Merchandise, Children of Desire                                                       
  2. Jessie Ware, Devotion                                                                        
  3. Mac Demarco, 2                                                                                
  4. Grizzly Bear, Shields                                                                         
  5. Cat Power, Sun                                                                                  
  6. Allah-Las, Allah-Las                                                                          
  7. Tame Impala, Lonerism                                                                     
  8. Frank Ocean, Channel Orange                                                          
  9. Beach House, Bloom                                                                          
  10. Wild Nothing, Nocturne                                                                     
  11. R. Kelly, Write Me Back                                                                    
  12. The Shins, Port of Marrow                                                                
  13. Lee Fields & the Expressions, Faithful Man                                      
  14. Air, La Voyage Dans La Lune                                                           
  15. Hot Chip, In Our Heads                                                                   
  16. Ariel Pink’s Haunted Graffiti, Mature Themes                                 
  17. Bob Dylan, Tempest                                                                          
  18. Daniel Rossen, Silent Hour/Golden Mile EP                                     
  19. The Congos, Sun Araw, & M. Geddes Gengras, Give Thank           
  20. Dirty Projectors, Swing Lo Magellan

Final Count

Added on by Andrew Marzoni.

530 books catalogued and alphabetized, from Acker to Žižek.

Yesterday, I took 20-30 to Book House in Dinkytown. They took about half of them, giving me $28 in store credit, with which I purchased the following:

  • Samuel Beckett, Waiting for Godot
  • Roberto Bolaño, The Savage Detectives
  • Louis-Ferdinand Céline, Death on the Installment Plan
  • Jean Genet, The Maids and Deathwatch
  • Nathanael West, The Dream Life of Balso Snell and A Cool Million

The total actually came to $30, but the guy working there said it was close enough. I left the rejected books (mostly outdated textbooks and old paperbacks in poor condition) on the corner of 15th St. and 4th Ave., not sure that anyone had any use for them.

A Fragment, c. 2004

Added on by Andrew Marzoni.

While making an inventory of all of my books in preparation for an alphabetization marathon (I’m up to 465 so far, with about 20-30 that I plan to get rid of), I stumbled upon this, written in an old, barely used notebook. If anyone can identify the writer I was most sophomorically and transparently attempting to emulate here, I’ll buy you a falafel.

Upon gathering his various notebooks and loose papers into his messenger bag and expressing his condolences and salutations to Mrs. Shauermeyer regarding her favorite cat’s euthanasia and her niece’s newly discovered pregnancy, respectively, Lior Walsh left the office of the Shauermeyer Literary Agency, descended to the street level by means of the elevator, and stepped outside into a terribly pleasant April evening. Though every idiosyncrasy of Lior’s manner while in his agent’s office suggested that he was in the utmost of hurries—his toe tapping, his fast talking, his neglect to even shake his agent’s hand—he in fact had no pressing appointments, and in all reality, nothing to do. So instead of hailing a cab, or even retreating to the confines of a subway car, he decided to walk home, all the way from Times Square to his room in the Upper Eighties. He quickened his pace at first, of course, in case the old lady happened to peer out her seventeenth floor window and spot the young man who did not offer his hand slovenly shuffling his feet up the street. That would be dreadful. “It is imperative that we stay on the best of terms,” he thought. So he continued along at a near run until he was almost out of breath, but certain that she would not see him.

When he reached the halfway point between 67th and 68th streets, Lior reached into his pocket and produced a cigarette, which seemed to stop him cold in the middle of the sidewalk. He placed the cigarette in between two very thin lips and lit it. Lior made it a practice to never smoke while walking. “That’s precisely what leads to addiction,” he could habitually be heard saying.

Added on by Andrew Marzoni.
What a cramp on philosophy was the castration complex with its insistence that the bottom of all buried fear in man was his fear that the penis would be lost; no, the PW had often been tempted to write in parallel to Millett that fear of losing the penis was not the root of other fears so much as it was the final product of social fears, that one would, for example—let us enjoy the example—not be afraid of a maniacal Amazon in a dark alley so much because one had harbored the terror from the age of three that the penis could be lost at a clip, as from fear that the huge murderess upon one was so dangerous, so voracious, that nothing, not even one’s buried prick, was safe; to the contrary, the PW had often thought that the castration complex was more likely to be a trauma which had struck Freud personally, struck him on the instant of his circumcision. No mean trauma. That the first searing, sense-shattering pain after birth should explode on the sense from there, there! in that region of the body, would be cause enough for later fear of castration. Freud never cared to question the rite of circumcision but we can suspect how his unconscious must have worried the possibility that circumcision was the fastest way to relocate libido from the genitals to the brain and the mouth.
— Norman Mailer, The Prisoner of Sex (1971)

Added on by Andrew Marzoni.
I think the only people who should have [Twitter accounts] are comedians. Because it’s all about one-liners. I would love it if Conan O’Brien or Reggie Watts or Stephen Colbert were to walk into a room and tell me one joke and leave. But you don’t want Gore Vidal telling you ‘I’m doing my dishes right now.’
— Jack White, on Twitter.